
CinemaSerf
Look out for a very young Eric Portman in this cheery cannibalisation of quite a few stories and characters. Nothing at all original here, but it's fun to watch Tod Slaughter being, well, himself.

Movie spotlight
The film begins in a BBC studio with the 100th edition of "In Town Tonight". Flotsam and Jetsom open with a "topical number". Then there is an interview with a distinguished actor, which dissolves into a performance of one of his famous melodramas about a wicked moneylender etc.
The film follows the nefarious schemes of Stephen Hawke, a seemingly respectable businessman who engages in a series of criminal activities to maintain his lavish lifestyle. When his actions begin to unravel, he resorts to increasingly desperate measures, including murder, to cover his tracks and protect his reputation. The story culminates in a dramatic confrontation that exposes his true nature.
Released in 1936, 'The Crimes of Stephen Hawke' was generally met with moderate reviews, typical for the era's crime dramas. Critics often highlighted Tod Slaughter's performance as the villainous Hawke, finding him suitably menacing, while some found the plot to be somewhat predictable. Audiences of the time likely appreciated the sensationalistic crime elements and the moralistic undertones common in films of this period.
Tod Slaughter delivers a memorable performance as the sinister Stephen Hawke.
The film offers a standard, albeit engaging, crime drama narrative for its time.
Some viewers may find the plot somewhat formulaic, but the villain's portrayal elevates the material.
Google audience: Information regarding specific Google user reviews for this 1936 film is not readily available.
Tod Slaughter, who played the villainous Stephen Hawke, was a well-known stage actor who specialized in melodramatic horror and crime roles, often playing a series of flamboyant villains in British films of the 1930s and 40s.
AI-generated overview · Verify ratings on official sources

Look out for a very young Eric Portman in this cheery cannibalisation of quite a few stories and characters. Nothing at all original here, but it's fun to watch Tod Slaughter being, well, himself.