Emitaï

In a West African village under French colonial rule, the men are away fighting in World War II, leaving the women and children to manage. When a locust plague threatens their crops, the women devise a plan to appease the gods, but their efforts are thwarted by the local Marabout (religious leader) who hoards the grains for himself and the colonial administration. This sparks a conflict that highlights the village's struggle against both natural disaster and oppressive forces.

Ousmane Sembène's 'Emitaï' is a powerful and unflinching depiction of colonial exploitation and its devastating impact on a West African community. Critically acclaimed for its raw honesty and potent social commentary, the film is recognized for its contribution to African cinema and its examination of tradition versus imposed authority. It resonates with audiences for its portrayal of resilience in the face of overwhelming adversity.

• Praised for its stark portrayal of the effects of colonialism.

• Recognized as a significant work in African cinema.

• Commended for its focus on the resilience of women facing hardship.

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Winner of the Jury Prize at the 27th Cannes Film Festival (1974).

The title 'Emitaï' means 'Let God' in the Diola language, reflecting the film's exploration of faith and human agency in the face of overwhelming circumstances.