Ariane à Naxos
Ariane à Naxos

Movie spotlight

Ariane à Naxos

2018
Movie
131 min
German

A staging of Richard Strauss' opera "Ariadne auf Naxos" by Katie Mitchell. Recorded at the Festival d'Aix-en-Provence.

Insights

Director: Robert CarsenGenres: Opera

Plot Summary

The opera 'Ariadne auf Naxos' by Richard Strauss is presented in a production by Robert Carsen. The story interweaves two distinct theatrical experiences: a serious opera about the mythological Ariadne abandoned on Naxos, and a commedia dell'arte troupe whose performance is interrupted by a fireworks display. The composer and the major domo of the house attempt to merge these disparate elements into a single, cohesive entertainment, leading to humorous and poignant moments.

Critical Reception

The 2018 production of 'Ariadne auf Naxos' at the Vienna State Opera, directed by Robert Carsen, generally received positive reviews, particularly for its imaginative staging and strong vocal performances. Critics often highlighted Carsen's ability to bring clarity and a contemporary edge to Strauss's complex work, effectively balancing the opera's serious and comedic elements.

What Reviewers Say

  • Praised for its inventive directorial concept that updated the operatic setting.

  • Commended for skillful integration of the two distinct theatrical worlds within the opera.

  • Noted for strong performances from the principal singers, bringing emotional depth and vocal brilliance.

Google audience: Information on Google user reviews for this specific production is not widely available. General audience reception for 'Ariadne auf Naxos' often focuses on the beauty of Strauss's music and the intriguing, dual-layered plot.

Awards & Accolades

None notable for this specific 2018 production, though 'Ariadne auf Naxos' itself is a celebrated work in the opera repertoire.

Fun Fact

Richard Strauss originally intended 'Ariadne auf Naxos' to be a one-act opera performed after a translation of Molière's 'Le Bourgeois gentilhomme,' but the two works proved to be incompatible in length and style, leading to the opera being revised into its current two-part structure.

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