Bernadette: The Princess of Lourdes
Bernadette: The Princess of Lourdes

Movie spotlight

Bernadette: The Princess of Lourdes

1990
Movie
30 min
English

It’s February 11, 1858. Three girls from Lourdes, France, gather firewood in front of a grotto. Suddenly one of them, Bernadette Soubirous, 14, drops to her knees, gazes ecstatically at something beautiful only she can see, and starts to pray. Soon the town buzzes: Has Bernadette, poor, sickly, and always behind in school, really seen a Lady from Heaven? Then a spring bubbles up from nowhere and withered arms and sightless eyes are cured. At last, the Lady tells Bernadette her name: “I am The Immaculate Concepcion.” BERNADETTE, THE PRINCESS OF LOURDES, is the exciting true story of a visit by the Queen of Heaven that left the entire world a source of health for body and soul.

Insights

IMDb6.6/10
Director: Raimondo Del BalzoGenres: Drama, Biography, History

Plot Summary

This made-for-television film chronicles the life of Bernadette Soubirous, a young peasant girl from Lourdes, France, who experienced a series of Marian apparitions in 1858. The story follows her spiritual journey, the skepticism she faced from authorities, and her eventual recognition as a saint within the Catholic Church.

Critical Reception

As a biographical drama focusing on a religious figure, "Bernadette: The Princess of Lourdes" was primarily viewed as a respectful and earnest portrayal of Saint Bernadette's life and visions. While not a major critical darling, it was generally seen as a well-intentioned and Faith-affirming production, appreciated by those interested in religious history and hagiography.

What Reviewers Say

  • A reverent depiction of a significant religious figure.

  • Fulfills its purpose as a devotional and biographical piece.

  • Offers a straightforward narrative of faith and perseverance.

Google audience: Information on Google user reviews for this specific film is not readily available.

Fun Fact

The film was produced as a television movie, likely intended for a European audience interested in religious and historical narratives, and was part of a wave of similar biographical dramas about saints during the late 20th century.

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