Ten

The film follows a woman named Roya as she navigates life in Tehran. Through a series of vignettes, we see her interactions with various people as she drives around the city, contemplating her relationships and personal desires. Each encounter offers a glimpse into her inner world and the subtle complexities of human connection.

Ten received widespread critical acclaim for its minimalist style, profound thematic exploration, and Kiarostami's masterful direction. Critics lauded its unique narrative structure and the evocative performances, particularly from Mania Akbari.

• Praised for its innovative and intimate portrayal of a woman's life.

• Lauded for its subtle yet powerful storytelling and Kiarostami's signature directorial style.

• Appreciated for its exploration of contemporary Iranian society and female experience.

Google audience: Audience reviews frequently highlight the film's contemplative nature and its ability to provoke thought about relationships and personal freedom, though some found its pace slow.

Won the Freedom of Expression Award at the National Board of Review Awards (USA) in 2002. Nominated for the Palme d'Or at the Cannes Film Festival in 2002.

The film's minimalist approach extends to its technical aspects; it was shot entirely on digital video, contributing to its intimate and raw aesthetic.