Movie spotlight
Can You Keep It Up for a Week?
Accident-prone Gil wants a steady job but is dismissed by every company that recruits him due to his unfortunate habit of ending up in sexually embarrassing situations. His girlfriend Annette says that she will marry him only if he can stay employed for at least a week. Hired by Mr Grimwood's cleaning company "Here To Service You", Gil is unwittingly drawn into a series of bawdy misadventures: sharing a bath with a married woman and getting caught by her husband; having a threesome with a hospital patient and a woman doctor, followed by a foursome with Annette, Grimwood and a woman psychologist; awkward encounters with a gay man and a lesbian; and getting caught by Annette playing strip poker with a group of women. Incredibly, Gil remains in his job and Annette marries him, but before the couple can have their wedding night Gil collapses on the bed and passes out from exhaustion.
Insights
Plot Summary
This Japanese comedy follows a middle-aged salaryman who finds himself entangled in a series of romantic and comedic misadventures. While trying to navigate his personal life, he encounters various women, leading to humorous situations and unexpected consequences. The film explores themes of desire, societal expectations, and the pursuit of happiness.
Critical Reception
Information on the critical reception of 'Can You Keep It Up for a Week?' is sparse, as it was a relatively niche Japanese film from the 1970s. It is generally considered a lighthearted comedy with some romantic elements, appealing to audiences looking for straightforward entertainment from that era.
What Reviewers Say
A quirky and amusing comedy with a light touch.
Features a charming performance from its lead actor.
Offers a glimpse into Japanese social dynamics of the 1970s.
Google audience: Audience reviews for this film are not readily available in English-language databases. However, similar films from the era often received positive reactions for their comedic timing and relatable characters.
Fun Fact
The film was part of a wave of Japanese 'Salaryman' comedies that often satirized the pressures and absurdities of corporate life and middle-class existence.
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