The Cyberstalking
The Cyberstalking

The Cyberstalking

1999Movie100 minEnglish

Aspiring songstress Holly Moon admires the famous diva "Samantha" and attempts to sneak her own act on stage, in the same elite futuristic techno club. With a weird stroke of luck, Holly succeeds, but is unaware that "Samantha" really appears only with the help of an illegal, secret military computer program. The program uses the imagination of a real person to create a total virtual reality environment. At the club, the MC introduces Holly with the line, "Welcome to the Imagination of Holly Moon." A fantastic environment and performance unfolds from within the subject's own lofty aspirations. Holly also doesn't know that a "glitch" in the program has murdered the real "Samantha," and that she, Holly Moon is slated as its next victim.

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Insights

IMDb4.8/10
Director: Steve LatshawGenres: Thriller, Horror

Plot Summary

A successful businesswoman finds her life turned upside down when she becomes the target of a relentless cyberstalker. As the anonymous tormentor escalates their attacks, her personal and professional lives begin to unravel, leading her into a dangerous game of cat and mouse. She must race against time to uncover the stalker's identity before her life is completely destroyed.

Critical Reception

This made-for-television thriller garnered mixed to negative reviews, often criticized for its predictable plot and reliance on common tropes of the cyber-thriller genre. While some viewers found it moderately suspenseful, critics generally pointed to a lack of originality and character development. Its exploration of internet dangers was seen as superficial by many.

What Reviewers Say

  • Relies heavily on familiar cyber-thriller clichés.
  • Lacks significant originality in its plot and character arcs.
  • Offers a somewhat dated portrayal of internet-related dangers.

Google audience: Audience reception is largely absent from public records, but available comments suggest viewers found it a serviceable, if uninspired, thriller typical of its era.

Fun Fact

The film was part of a wave of made-for-television movies in the late 1990s attempting to capitalize on anxieties surrounding the burgeoning internet and early forms of online interaction.

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