Asylum

This anthology horror film consists of three distinct stories, each exploring a different facet of fear and psychological distress. The segments delve into a possessed porcelain doll, a man haunted by his alter ego, and a psychiatrist's descent into madness. As the narratives unfold, the lines between reality and delusion blur, creating a chilling and disorienting viewing experience.

Asylum (1997) received a mixed to negative reception from critics, with many finding the film's pacing uneven and its storylines lacking in cohesion. While some praised the individual performances, particularly in the more psychological segments, the overall impact was diminished by what was perceived as a disjointed narrative structure. Audience reactions were similarly divided, with horror enthusiasts appreciating the attempts at psychological terror, while others found it to be forgettable.

• The anthology format leads to an inconsistent viewing experience, with some segments stronger than others.
• Attempts at psychological horror are present but often fall flat due to underdeveloped plots.
• Performances are a saving grace for some of the more intriguing storylines.

Google audience: Audience reviews for Asylum (1997) are scarce and largely unenthusiastic. Those who have commented often cite the film's confusing plot and a general lack of memorable scares as significant drawbacks. Some viewers appreciated the darker themes but ultimately found the execution lacking.

The film "Asylum" that was released in 1997 is actually a re-edited version of a 1972 British horror anthology film titled "Asylum", with some new footage and a different order of segments.