She Couldn't Take It
The wealthy Van Dyke family are constantly in the media for outrageous behavior, much to the frustration of the patriarch, Dan Van Dyke. His self-centered wife has a fondness for foreign imports, including "pet projects" like dancers and such and his spoiled children Tony and Carol have constant run-ins with the law. When Dan himself ends up in the clink for five years for tax evasion, he becomes bunk-mates with ex-bootlegger Joe "Spots" Ricardi. Ricardi lectures him on being such a push-over for an out-of-control family, so a dying Dan makes Ricardi his estate trustee once he is released from prison. Ricardi is then thrust into high society and must do everything he once nagged Dan to do.
Insights
Plot Summary
A wealthy but eccentric businessman, driven to distraction by his demanding wife and social obligations, decides to fake his own death and escape to a simpler life. He finds unexpected companionship and love with a young woman while living incognito. However, his elaborate deception begins to unravel, forcing him to confront the consequences of his actions and decide where his true happiness lies.
Critical Reception
This lighthearted comedy-drama was generally seen as a pleasant, if unremarkable, diversion of its time. Critics noted its familiar plot but praised the performances, particularly Lucile Gleason's energetic portrayal of the domineering wife, as the film's main draw. Audiences likely found it an entertaining escape from the economic hardships of the era, with its themes of finding true happiness away from societal pressures resonating.
What Reviewers Say
- Praise for Lucile Gleason's strong comedic performance.
- A predictable but charming plot with lighthearted moments.
- A decent, albeit unoriginal, romantic comedy of the era.
Google audience: Information on Google user reviews for this film is not readily available.
Fun Fact
The film was one of the earlier productions to explore the theme of wealth's discontents and the desire for a simpler life, a trope that would become more common in Hollywood films.
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