

The Gangster
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is his singer girlfriend who only fuels his paranoia.
Insights
Plot Summary
A discharged soldier returns to his hometown only to find himself drawn back into the underworld he tried to escape. He becomes involved with a ruthless racketeer and a beautiful singer, leading to a downward spiral of violence and betrayal. The film explores themes of destiny and the inescapable nature of one's past.
Critical Reception
The Gangster received mixed to positive reviews upon its release, with critics often praising its gritty atmosphere and stylish direction, though some found the plot to be somewhat conventional for the crime genre. It is generally regarded as a notable example of early film noir.
What Reviewers Say
- Praised for its effective use of shadow and light, contributing to a classic film noir mood.
- Belita's performance as the singer was noted as a highlight, adding allure to the dark narrative.
- Some critics felt the story lacked originality despite its strong visual presentation.
Google audience: Audience reception data for 'The Gangster (1947)' on Google is not widely available.
Fun Fact
Director Gordon Wiles was primarily known as a successful art director and production designer, and 'The Gangster' was one of his few directorial efforts.
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