

The Group
Father Martin has raised many orphans at a Hong Kong Orphanage. After growing up, some have achieved great success; with one becoming a gangster, much to his disappointment. During a starvation relief mission in Somalia, Father Martin is killed. In order to repay their beloved Father, they vow to follow in his footsteps by helping the poor, as well as protecting the weak from gangster harassment. Thus is born, 'The Group': professionals who are sworn to do good deeds - and they will break the law to do so.
Insights
Plot Summary
The film follows a reunion of eight former Vassar College classmates from the class of 1939, who gather every five years. The narrative unfolds over a single weekend as they confront their past lives, unspoken truths, and the divergence of their youthful ideals from their adult realities. Tensions rise as old resentments and hidden secrets surface, forcing them to re-evaluate their friendships and the choices that have shaped them.
Critical Reception
The Group received a mixed to positive reception from critics, with many praising Sidney Lumet's direction and the performances of the ensemble cast, particularly Gene Hackman. Some critics found the film's pacing to be slow and its themes somewhat dated, but it was generally regarded as a thoughtful and well-acted character study.
What Reviewers Say
- Praised for its mature exploration of female friendships and the passage of time.
- Admired for its strong ensemble performances and Lumet's nuanced direction.
- Some found the dialogue occasionally didactic and the narrative lacking in significant dramatic turns.
Google audience: Google users generally appreciated the film's realistic portrayal of long-term friendships and the struggles of women navigating societal expectations. Many enjoyed the intellectual discussions and the subtle character development, though some wished for a more dynamic plot.
Awards & Accolades
None notable.
Fun Fact
The film is based on Mary McCarthy's 1963 novel of the same name, which was a bestseller and a landmark in feminist literature, though the film adaptation significantly alters aspects of the source material.
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