Movie spotlight
Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.
A war veteran suffering from amnesia after a traumatic experience finds himself entangled in a web of murder and deceit. As his memory slowly returns, he begins to suspect his wealthy and manipulative wife might be involved in a sinister plot. He must uncover the truth before he becomes the next victim or is wrongly accused of the crimes.
High Wall was met with a mixed reception from critics upon its release, with some praising its suspenseful atmosphere and strong performances, particularly from Robert Taylor, while others found the plot convoluted and predictable. Audience reception was generally positive, appreciating the noir elements and the thriller aspects.
Praised for its effective noir atmosphere and tense sequences.
Robert Taylor's performance as the tormented protagonist was frequently highlighted.
Some critics found the narrative to be overly complicated or lacking in originality.
Google audience: Information regarding specific Google user reviews for High Wall (1947) is not readily available.
Although Lana Turner and George Raft were top-billed, Robert Taylor and Audrey Totter carried the bulk of the narrative, with Turner and Raft appearing in supporting roles.
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Murders and Medicinal Mania. High Wall is directed by Curtis Bernhardt and adapted to screenplay by Sydney Boehm and Lester Cole from the play by Alan R. Clark and Bradbury Foote. It stars Robert Taylor, Audrey Totter, Herbert Marshall, ...