The Night Is Afraid of the Sun
Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.
Insights
Plot Summary
A retired boxer, now a struggling artist, becomes entangled with a dangerous femme fatale and a mysterious crime. As he delves deeper into the seedy underbelly of the city, he uncovers a conspiracy that threatens his life and sanity. He must confront his past and his demons to survive.
Critical Reception
The film received mixed to negative reviews upon its release. While some critics praised its atmospheric noir elements and the performances of its veteran cast, many found the plot convoluted and the pacing uneven. Audiences were generally unimpressed, contributing to its status as a lesser-known film in the careers of its stars.
What Reviewers Say
- Praised for its noir atmosphere and Lorre's performance.
- Criticized for a confusing and slow-moving plot.
- Seen as an example of late-career decline for its stars.
Google audience: Audience reviews are scarce due to the film's limited release and age, but available comments suggest a general lack of engagement with the story and a feeling that the film did not live up to the potential of its cast.
Fun Fact
This film marked one of Peter Lorre's final on-screen appearances before his death in 1964, though it was released posthumously in 1965.
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