Movie spotlight
In the 1830's beaver trapper Flint Mitchell and other white men hunt and trap in the then unnamed territories of Montana and Idaho. Flint marries a Blackfoot woman as a way to gain entrance into her people's rich lands, but finds she means more to him than a ticket to good beaver habitat.
In 1830s Montana, a fearless fur trapper, Flint Mitchell, navigates the treacherous wilderness and cultural clashes. He falls for a Native American princess, Kamiah, and finds himself caught between his own adventurous spirit and the demands of his duty. His journey is fraught with danger as he faces rival trappers, harsh conditions, and the complexities of intercultural relationships.
Across the Wide Missouri was met with a mixed reception from critics, with some praising its stunning Technicolor cinematography and Gable's performance, while others found its narrative to be somewhat predictable and its portrayal of Native Americans to be stereotypical for its era.
Praised for its visual beauty and the rugged presence of Clark Gable.
Criticized for a formulaic plot and handling of cultural themes.
Seen as a solid, if uninspired, entry in the Western genre of its time.
Google audience: Audience reception data is not readily available for this film.
Nominated for the Academy Award for Best Costume Design (Color).
The film was shot on location in the Rocky Mountains, primarily in Wyoming and Colorado, offering breathtaking, authentic scenery.
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Trees lie where they fall, and men were buried where they died. One of the most frustrating things in cinema is that of the interfering studio. Too many films, since cinema became the medium so massively loved by so many, have fallen vic...