Marguerite

In 1920s Paris, the wealthy and eccentric Marguerite Dumont is passionate about opera singing, despite possessing a voice that is notoriously off-key. Convinced of her talent, she plans a grand concert at the Palais Garnier, unaware that her audience, including her husband and a group of musicians, are humoring her and trying to protect her from the harsh reality of her abilities.

Marguerite was generally well-received by critics, who praised its unique premise, Catherine Frot's performance, and its blend of humor and pathos. While some found the pacing uneven, the film was largely celebrated for its charm and originality.

• Praised for its whimsical and touching portrayal of an artist deluded by her own passion.

• Catherine Frot delivers a standout performance as the tone-deaf soprano.

• Appreciated for its stylish period detail and satirical commentary on the art world.

Google audience: Audiences largely enjoyed the film's unique premise and found Catherine Frot's performance highly entertaining and sympathetic. Many appreciated the humor and the heartwarming aspect of the story, though some noted that the film's length could be a minor drawback.

Catherine Frot won the César Award for Best Actress for her role. The film received multiple nominations across various categories at the César Awards, including Best Film and Best Director.

The character of Marguerite Dumont is loosely inspired by the real-life American heiress Florence Foster Jenkins, who was also known for her terrible singing but pursued a professional opera career.