Oscuros sueños de agosto
Oscuros sueños de agosto

Movie spotlight

Oscuros sueños de agosto

1967
Movie
105 min
Spanish

Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.

Insights

IMDb6.8/10
Director: Michelangelo AntonioniGenres: Drama, Mystery, Romance

Plot Summary

An architect is haunted by the death of his girlfriend and begins to suspect she may have been murdered. As he investigates her past and her relationships, he uncovers a web of deceit and betrayal, leading him into a spiral of paranoia and obsession. The film explores themes of love, loss, and the ambiguity of truth.

Critical Reception

Michelangelo Antonioni's 'Oscuros sueños de agosto' (often known by its Italian title 'Lo sguardo di Antonioni' or English title 'The Mystery of Monica Vitti') is a visually striking and thematically complex film that received mixed to positive reviews. While some critics found its narrative elusive and its pacing deliberate, many praised its atmospheric tension, Monica Vitti's captivating performance, and Antonioni's masterful direction in creating a mood of unease and psychological depth.

What Reviewers Say

  • Praised for its stunning cinematography and Antonioni's signature visual style.

  • Monica Vitti delivers a compelling performance as a woman grappling with mystery and her own psyche.

  • The film's deliberate pacing and ambiguous narrative were points of division among critics.

Google audience: Information on specific Google user reviews for this film is not readily available.

Fun Fact

Although the film is attributed to Michelangelo Antonioni, it was primarily a showcase for his photographic work and stylistic approach, often compiled from footage shot during the making of his other films.

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