Happy End
Happy End

Happy End

2017Movie110 minFrench

A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.

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Insights

IMDb6.4/10
Rotten Tomatoes56%
Metacritic64/100
Google Users60%
Director: Michael HanekeGenres: Drama, Comedy

Plot Summary

A wealthy European family's seemingly perfect facade begins to crumble as secrets and resentments surface. Set against the backdrop of a dilapidated construction project and a family grappling with a potential suicide, the film explores themes of generational disconnect, moral decay, and the indifference of the privileged.

Critical Reception

Michael Haneke's 'Happy End' received a generally positive, though somewhat divided, critical reception. Reviewers acknowledged Haneke's signature detached style and dark humor, often praising the performances, particularly from the veteran leads. However, some critics found the film less impactful than his previous works, with certain interpretations suggesting a commentary on the refugee crisis and the insular nature of the European bourgeoisie.

What Reviewers Say

  • Haneke's trademark critical and often bleak examination of bourgeois society.
  • Strong performances anchor the film's exploration of family dysfunction and societal issues.
  • Some critics found the film's message to be less potent compared to Haneke's earlier masterpieces.

Google audience: Google users generally appreciated the film's thought-provoking nature and the performances, but a significant portion found it to be slow-paced and somewhat nihilistic, with some questioning its overall impact.

Awards & Accolades

Nominated for the Palme d'Or at the 2017 Cannes Film Festival.

Fun Fact

The film was shot on iPhones and other smartphones, with the footage then edited together, contributing to its distinct visual style.

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TMDB Reviews

1 reviews
CinemaSerf

CinemaSerf

The now wheelchair-bound industrialist “Georges” (Jean-Louis Tritignant) rather reluctantly approaches his eighty-fifth birthday having contemplated suicide and having largely lost interest in the lives of his daughter “Anne” (Isabelle Hupp...