Rossini La Cenerentola
Rossini La Cenerentola

Rossini La Cenerentola

2008Movie90 minItalian

This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

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Insights

IMDb7.7/10
Director: Nathalie StutzmannGenres: Opera, Classical Music

Plot Summary

This production of Rossini's "La Cenerentola" (Cinderella) follows the classic fairytale narrative, but with a musical twist. Cinderella, mistreated by her stepfather and stepsisters, finds love and escape through the intervention of a prince and a mysterious nobleman. The opera features dazzling vocal fireworks and comedic situations, culminating in a joyful resolution where love triumphs over cruelty.

Critical Reception

The 2008 production of Rossini's "La Cenerentola" directed by Nathalie Stutzmann was generally praised for its musicality and the performances of its lead singers, particularly Lawrence Brownlee as Prince Ramiro. Critics noted the vibrant energy and Rossini's characteristic effervescence, although some reviews might have varied on specific directorial choices or stage designs.

What Reviewers Say

  • Praised for its spirited musical direction and Rossini's comedic genius.
  • Lead performances, especially the Prince, were frequently highlighted for vocal prowess.
  • The opera's inherent charm and wit were well-received.

Google audience: Audience reception for this opera recording generally focuses on the brilliance of Rossini's score and the high caliber of the vocal performances. Listeners often commend the effervescence and joy that the music brings, appreciating the masterful execution of the complex arias and ensembles.

Fun Fact

The role of Prince Ramiro is traditionally sung by a tenor, but in Rossini's time, it was common for male roles to be sung by castrati; however, Rossini intentionally wrote it for a tenor, showcasing the instrument's agility and range.

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