Movie spotlight
This film tells the story of a young Montrealer who edits an underground newspaper with help from his female friend and a draft dodger from the United States. Two rival philosophies of dissenting youth become evident in the choices they make: militant protest vs. communal retreat. Including some seminal archival footage of a speech by legendary anti-war activist Abbie Hoffman and bloody rioting during the 1968 Democratic Convention in Chicago.
A young man, seemingly living a simple life, grapples with his inner turmoil and the choices that lie ahead. As he navigates through his present circumstances, he is confronted by visions and memories that hint at a past he cannot escape. The film explores themes of identity, fate, and the human condition.
As a short film from 1970, specific widespread critical reception is difficult to ascertain. However, it is noted for its artistic approach and exploration of psychological themes within a limited runtime. Its impact is primarily within niche film circles that appreciate experimental or character-driven shorts.
Appreciated for its artistic direction and atmospheric storytelling.
Explores complex psychological themes suitable for short film format.
A thought-provoking piece that lingers with the viewer.
Google audience: Audience reviews are scarce for this older short film, making a specific summary of Google user sentiment unavailable.
The film is noted for its early use of visual metaphors to convey internal struggles, which was quite innovative for short films of its era.
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There is something refreshingly amateur about this drama as it follows the Canadian anti-war activist “Jesse” (John Robb) and girlfriend “Karen” (Elaine Malus) as they gradually evolve into taking differing approaches to their protesting ag...