Tiempo de amor
Tiempo de amor

Movie spotlight

Tiempo de amor

1964
Movie
80 min
Spanish

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Insights

IMDb7.1/10
Director: Julio PorterGenres: Comedy, Romance

Plot Summary

A young woman, torn between two suitors, finds herself in a series of comical situations as she navigates her romantic entanglements. One suitor is a wealthy businessman, while the other is a struggling artist, leading to contrasting lifestyles and humorous misunderstandings. Ultimately, she must make a choice that will define her future happiness.

Critical Reception

Tiempo de amor was a lighthearted comedy that resonated with audiences in Argentina during its release. It is generally remembered as a pleasant, escapist film typical of its era, focusing on romantic entanglements and comedic misunderstandings. While not critically acclaimed as a groundbreaking work, it provided enjoyable entertainment for its time.

What Reviewers Say

  • Praised for its charming romantic plot and lighthearted humor.

  • Noted for its typical depiction of 1960s Argentine social dynamics.

  • Seen as a generally pleasant and enjoyable romantic comedy.

Google audience: Audience reception information from Google Reviews is not readily available for this film.

Fun Fact

The film was part of a wave of popular romantic comedies in Argentina during the mid-1960s, reflecting a general trend in global cinema for optimistic and entertaining stories.

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