WUSA
Rheinhardt, a cynical drifter, gets a job as an announcer for right-wing radio station WUSA in New Orleans. Rheinhardt is content to parrot WUSA's reactionary editorial stance on the air, even if he doesn't agree with it. Rheinhardt finds his cynical detachment challenged by a lady friend, Geraldine, and by Rainey, a neighbour and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand.
Insights
Plot Summary
A cynical television reporter, struggling with alcoholism and disillusionment, becomes entangled in a dangerous plot involving a right-wing extremist group. As he investigates their activities, he finds himself drawn into a world of political intrigue and violence, forcing him to confront his own moral compass.
Critical Reception
WUSA received a mixed to positive reception from critics upon its release. While some praised its ambitious themes and Paul Newman's performance, others found the film's message muddled and its pacing uneven. Audiences were similarly divided, with some appreciating its political commentary and others finding it too bleak.
What Reviewers Say
- Praised for Paul Newman's compelling performance as a disillusioned journalist.
- Noted for its timely, albeit heavy-handed, exploration of political extremism and media influence.
- Criticized for a narrative that could be seen as overly didactic and somewhat predictable.
Google audience: Audience reception on Google is not readily available, but general sentiment suggests a film that was intellectually stimulating for some and frustratingly heavy-handed for others.
Fun Fact
The film was based on a novel of the same name by Robert Stone, which was a finalist for the National Book Award in 1971.
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