Endings, Beginnings

A young woman navigating love, friendship, and career in Los Angeles finds herself caught in a complicated love triangle. As Daphne experiences a period of transition and self-discovery, she juggles a relationship with a charming, free-spirited musician and a more stable, intellectual accountant. Her choices lead her to confront her own desires and fears about commitment and her future.

Endings, Beginnings received mixed to negative reviews from critics, with many finding its exploration of relationships and character development to be aimless and underdeveloped. While some praised the performances, particularly Shailene Woodley's, the film was often criticized for its script and pacing, leading to a lukewarm reception from audiences as well.

• The film struggles to create compelling character arcs, leaving the audience disengaged.

• Performances are a bright spot, but cannot fully salvage a predictable and unfocused narrative.

• The exploration of modern romance feels superficial and lacks depth.

Google audience: Audience reviews indicate a mixed reception, with many finding the plot to be somewhat predictable and lacking in significant character development. While some viewers appreciated the performances and the attempt to portray complex relationships, a notable portion felt the film was slow-paced and didn't offer a satisfying conclusion.

The film was shot on 35mm film, a choice made by director Drake Doremus to give it a more timeless and intimate feel.