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Ordinary Wonder
In a romantic and philosophical tale of magic and love, a mischievous Sorcerer turns a bear into a young man. Unhappy in his new state, the former bear, with the help of the magician and his beautiful wife, is looking for a princess to kiss in order for his wish to be granted. Certain that all princesses are a vain, spoiled lot, he approaches the first one he sees. But the princess herself is gentle, kind and beautiful, and she and the young man fall in love with each other at the first sight. Unable to bring her pain, he runs away without explaining. As the Princess takes brave actions to find her beloved, new characters enter the story, including the King's ambitious Prime Minister and a hunter looking for a bear fur to complete his collection. How will this complicated plot be resolved?
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Plot Summary
An ambitious young man from a rural background comes to Paris with dreams of becoming a writer. He finds himself entangled in the bohemian world of artists and intellectuals, navigating complex relationships and the harsh realities of pursuing his creative aspirations. The film explores themes of disillusionment, artistic integrity, and the search for meaning in a seemingly indifferent urban landscape.
Critical Reception
The film received mixed to positive reviews upon its release, with critics often praising its atmospheric direction and performances, though some found its narrative somewhat elusive. It is considered an interesting, albeit less widely known, work from director Peter Brook.
What Reviewers Say
Praised for its moody atmosphere and evocative cinematography.
Noted for strong performances, particularly from the lead cast.
Some critics found the symbolic narrative dense and difficult to fully grasp.
Google audience: Information on Google user reviews for 'Ordinary Wonder (1964)' is not readily available.
Fun Fact
Peter Brook, primarily known for his theater work, directed 'Ordinary Wonder' (also known as 'Moderato Cantabile' in some regions, though that is a different film; this film's original French title is 'Le Ciel de Paris') as one of his few feature film directorial efforts in the 1960s.
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