

Movie spotlight
Enfant Terrible
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.
Insights
Plot Summary
This biographical drama delves into the tumultuous life and career of Rainer Werner Fassbinder, a prolific and controversial German filmmaker. The film chronicles his intense relationships, creative process, and relentless pursuit of artistic expression. It explores the complexities of his personal life, marked by passionate affairs and demanding collaborations, as he navigates the film industry and his own inner demons.
Critical Reception
Enfant Terrible received mixed to positive reviews, with many critics praising its bold portrayal of Fassbinder's life and Lars Eidinger's intense performance. Some found the film's structure and relentless depiction of Fassbinder's excesses to be overwhelming, while others appreciated its unflinching honesty and cinematic ambition.
What Reviewers Say
Lars Eidinger delivers a powerful and committed performance as the enigmatic Rainer Werner Fassbinder.
The film offers a raw and unflinching look at the life of a controversial artistic genius.
While ambitious, the narrative can feel somewhat sprawling and overwhelming due to its subject's prolific output and chaotic life.
Google audience: Audience reviews generally appreciate the film's raw portrayal of Fassbinder's life and Eidinger's performance, with many finding it a compelling, albeit intense, watch. Some viewers noted the film's length and the often-uncomfortable depiction of Fassbinder's relationships and behavior.
Awards & Accolades
Nominated for Best Film at the Bavarian Film Awards.
Fun Fact
The film was shot on 35mm film, a choice made by director Oskar Roehler to evoke the aesthetic of the era in which Fassbinder was most active.
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