Crazy Love
Crazy Love

Movie spotlight

Crazy Love

1968
Movie
97 min
Japanese

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.

Insights

IMDb6.3/10
Director: Don SharpGenres: Horror, Mystery, Thriller

Plot Summary

A young woman named Helen is found wandering and disoriented, claiming to have been driven mad by a supernatural entity. As investigators delve into her past, they uncover a series of unsettling events and a disturbing connection to an isolated, decaying mansion. The narrative explores themes of guilt, obsession, and the psychological toll of unresolved trauma.

Critical Reception

Crazy Love (also known as 'Where There's a Will') is a lesser-known British horror film from the late 1960s. While it features a chilling atmosphere and some effective suspenseful moments, it was generally met with a muted response from critics upon its release. Audience reception has been similarly modest, with its appeal largely confined to dedicated fans of vintage British horror.

What Reviewers Say

  • Praised for its eerie atmosphere and suspenseful build-up.

  • Criticized for a somewhat convoluted plot and underdeveloped characters.

  • Noted for its effective use of Gothic horror elements.

Google audience: Google user reviews are scarce for this title, reflecting its limited mainstream availability and recognition. Those who have seen it often comment on its unsettling mood and classic horror feel, though some find the story difficult to follow.

Fun Fact

The film was also released under the title 'Where There's a Will', contributing to its relatively obscure status and potential confusion for film researchers.

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