Movie spotlight
Numéro zéro
A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.
Insights
Plot Summary
This documentary explores the experiences and perspectives of women in various professions, offering a glimpse into their daily lives, challenges, and aspirations. It aims to shed light on the roles women played in the workforce and society during the early 1970s.
Critical Reception
As a documentary from 1971, 'Numéro zéro' received critical attention for its social commentary and its focus on gender roles within the working world. Contemporary reviews likely highlighted its observational style and its contribution to discussions about women's rights and opportunities.
What Reviewers Say
Praised for its insightful portrayal of women in diverse professional settings.
Considered a significant piece of social documentation from its era.
Notable for its candid interviews and observational approach.
Google audience: Information on specific Google user reviews for this historical documentary is not readily available.
Fun Fact
The film's director, Yannick Bellon, was also known for her work on other socially conscious films that often focused on women's issues and societal dynamics.
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