

Movie spotlight
OL Training: Harassing
Masaru Aihara plans a mountain climbing trip as a company get-together. There are six participants. The weather was fine and the mood was harmonious, except for Maya Akiyama who had no presence. On the way, Aihara and Chika Kawaguchi engage in a fight under the watchful eyes of the participants. Takahashi witnesses this and is not at peace. He and Chika were having an affair, and Takahashi was in the midst of a divorce because of it. And as if he knew what was going on in Takahashi's mind, the weather collapsed...
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Plot Summary
A young woman named Yumi takes a job as an office lady (OL) to escape her past. However, her new workplace harbors a dark secret, and she soon finds herself subjected to increasingly disturbing harassment and psychological torment. As the lines between reality and nightmare blur, Yumi must fight for her sanity and survival against unseen forces within the corporate structure.
Critical Reception
Critically, 'OL Training: Harassing' is a polarizing film, often cited within niche horror and erotica circles for its disturbing themes and visceral depiction of psychological abuse. Its explicit content and bleak narrative have limited its mainstream appeal, though it has garnered a cult following for its unflinching exploration of power dynamics and corporate dread.
What Reviewers Say
Praised for its intense atmosphere and unsettling psychological tension.
Criticized for its explicit and often disturbing content.
Seen as a commentary on the darker aspects of corporate culture and exploitation.
Google audience: Audience reception is difficult to gauge due to limited availability of widespread reviews. However, where discussions exist, viewers often highlight the film's disturbing nature and its effectiveness in creating a sense of unease. Some found it to be a thought-provoking, albeit grim, exploration of workplace abuse, while others were put off by its explicit and graphic elements.
Fun Fact
The film is known for its raw, almost documentary-like visual style, which director Kei Fujiwara employed to heighten the sense of realism and claustrophobia within the oppressive office environment.
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