A highly successful but ethically flexible businessman, known for his ruthless ambition, finds his life turned upside down when he is suddenly replaced by an android version of himself. He must then navigate the world as a 'normal' person, grappling with the consequences of his past actions and the absurdity of his new reality.

Laissez-faire was met with mixed to positive reviews from critics and audiences, who praised its satirical wit and Albert Dupontel's performance, though some found its humor a bit too cynical.

• Sharp social satire on corporate greed and the dehumanizing effects of capitalism.
• Dupontel's directorial and acting efforts are commendable, offering both humor and thought-provoking commentary.
• The film's premise is engaging, though its execution can sometimes feel uneven.

Google audience: Google users generally appreciated the film's dark humor and its critical look at the business world. Many enjoyed the creative concept of an android replacement and Dupontel's distinctive comedic style, finding it both entertaining and intellectually stimulating.

The film's title, 'Laissez-faire,' directly translates to 'let do' or 'let it be,' referencing the economic doctrine of minimal government intervention, which serves as a thematic undercurrent to the story's critique of unchecked corporate power.