For Love or Money
For Love or Money

Movie spotlight

For Love or Money

1993
Movie
94 min
English

New York concierge Doug Ireland wants to go into business for himself and refurbish a hotel on Roosevelt Island, N.Y., but he needs an investor. With a few weeks left before his option on the site runs out, Doug agrees to help wealthy Christian Hanover conceal his affair with salesgirl Andy Hart from his wife. Despite his own attraction to Andy, Doug tries to stay focused on getting Christian to invest $3 million in his project.

Insights

IMDb5.3/10
Rotten Tomatoes20%
Metacritic39/100
Google Users58%
Director: Barry SonnenfeldGenres: Comedy, Romance

Plot Summary

A charming but scheming young man, Doug Ireland, works as a concierge at a lavish New York City hotel, aiming to climb the social ladder and win the heart of a beautiful socialite. He orchestrates elaborate schemes to impress her and gain access to her wealthy family, often using his position and the hotel's resources to his advantage. However, his intricate plans begin to unravel as genuine feelings develop and ethical dilemmas arise.

Critical Reception

For Love or Money was met with generally negative reviews from critics and performed poorly at the box office. While some praised Michael J. Fox's performance and the film's visual style, many found the plot predictable and lacking in genuine charm or comedic substance. Audience reception was similarly lukewarm, with many finding it a forgettable romantic comedy.

What Reviewers Say

  • Often seen as a misfire for Michael J. Fox, struggling with a thin plot and predictable romantic entanglements.

  • Criticized for trying too hard to be sophisticated and charming, but ultimately falling flat.

  • While visually competent, the film lacks the comedic spark and emotional depth to be engaging.

Google audience: Audiences found the film to be a light, if somewhat uninspired, romantic comedy. While some appreciated the performances, many felt the story was predictable and lacked memorable moments. It's generally viewed as a passable, but not particularly remarkable, effort.

Fun Fact

Director Barry Sonnenfeld initially envisioned the film as a darker, more satirical comedy, but the tone was significantly lightened during production to appeal to a broader audience.

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