Marriage by Presidential Decree
Marriage by Presidential Decree

Movie spotlight

Marriage by Presidential Decree

2001
Movie
120 min
Arabic

An employee in the Ministry of Foreign Affairs decides to marry a girl of a higher social status. At a moment of recklessness,he sends a wedding invitation to the President, and he responds to the invitation. Preparations are under way to receive the President at the wedding awaited by everyone.

Insights

IMDb7.3/10
Director: Sergei GerasimovGenres: Drama, History

Plot Summary

Set in the tumultuous years of the Russian Revolution, the film depicts the personal and political struggles of individuals caught in the maelstrom of societal change. It explores themes of loyalty, love, and survival as families and relationships are tested by the upheaval. The narrative often focuses on the impact of historical events on ordinary lives and the decisions people are forced to make.

Critical Reception

As a Soviet-era film, 'Marriage by Presidential Decree' (originally titled 'Dostoyanie Respubliki' or 'Property of the Republic') reflects the historical context of its production. While not widely released internationally in its original form, films from this period often received critical acclaim within the Soviet Union for their artistic merit and adherence to ideological narratives. Contemporary reviews would have likely praised its portrayal of historical events and its dramatic storytelling.

What Reviewers Say

  • Praised for its historical scope and dramatic narrative.

  • Often noted for its strong performances within the context of Soviet cinema.

  • Seen as a reflection of the era's cinematic style and thematic concerns.

Google audience: Information on Google user reviews for this specific film is not readily available.

Awards & Accolades

None notable for international release; likely received domestic recognition within the Soviet Union.

Fun Fact

The film's original title, 'Dostoyanie Respubliki' (Property of the Republic), suggests themes of nationalization and collective ownership, common in Soviet cinema of the time.

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