A French Gigolo
A French Gigolo

A French Gigolo

2008Movie105 minFrench

Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.

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Insights

IMDb5.5/10
Director: Josiane BalaskoGenres: Comedy, Romance

Plot Summary

A successful, wealthy, and aging fashion designer, struggling with loneliness and a lack of genuine connection, decides to hire a gigolo. She hopes this will provide her with companionship and affection without the complications of a traditional relationship. However, the arrangement soon leads to unexpected emotional entanglements and forces her to confront her own desires and vulnerabilities.

Critical Reception

The film received mixed reviews, with some critics appreciating its attempts at exploring themes of aging, loneliness, and transactional relationships with a comedic touch, while others found its plot predictable and its humor uneven. Audience reception was generally lukewarm, with many finding it a light but ultimately forgettable romantic comedy.

What Reviewers Say

  • Praised for its mature exploration of loneliness and desire.
  • Criticized for a predictable plot and uneven comedic execution.
  • Seen as a lighthearted but ultimately superficial romantic comedy.

Google audience: Audience reviews are scarce for this film, but general sentiment suggests it's a mild romantic comedy that doesn't leave a strong lasting impression, with some viewers finding the premise interesting but the execution lacking depth.

Fun Fact

Josiane Balasko, who directed and starred in the film, is a highly respected figure in French cinema, known for her work in comedy, often tackling themes of social commentary and relationships.

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