Sexual Perversions of a Married Woman
Sexual Perversions of a Married Woman

Sexual Perversions of a Married Woman

1981Movie98 minSpanish

Emmanuelle is a haughty aristocrat who likes to humiliate her servants. One day, her life changes completely as she is raped by three of her servants. The experience turns out to be an enjoyable one as it turns Emmanuelle into sexually liberated woman. She convinces her husband that seeing other people will improve their relationship. But after a while, this erotic life seems to have a downside.

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Insights

IMDb5.1/10
Director: Nello MasettiGenres: Drama, Erotic

Plot Summary

The film explores the life of a woman trapped in a loveless marriage who seeks fulfillment and excitement outside of her wedlock. She engages in increasingly daring sexual encounters, blurring the lines between desire and self-destruction. Her pursuit of pleasure leads her down a path of complex emotional and physical entanglements.

Critical Reception

This Italian erotic drama received mixed to negative reviews, often criticized for its gratuitous exploitation and lack of substantial plot. While some acknowledged its attempts at exploring female sexuality, many found it to be shallow and overly sensationalized, typical of many films in the genre during its era.

What Reviewers Say

  • Often viewed as an exploitative and sensationalized depiction of female sexuality.
  • Lacks significant plot development and character depth.
  • Regarded as a typical example of low-brow Italian erotic cinema of the early 1980s.

Google audience: Information regarding specific Google user reviews for this film is not readily available in public databases. However, films of this nature typically receive polarized reactions, with some viewers appreciating the explicit content and others being put off by its perceived lack of substance.

Fun Fact

The film was part of a wave of Italian erotic dramas produced in the late 1970s and early 1980s, aiming to capitalize on the market for sexually explicit content, often with low budgets and limited critical acclaim.

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