Movie spotlight
The Bride Talks in Her Sleep
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
Insights
Plot Summary
A young woman, haunted by her own subconscious, talks in her sleep about a hidden fortune. This leads to a series of comical misunderstandings and romantic entanglements as various parties try to uncover the secret and win her affection. The plot revolves around her attempts to navigate these situations while dealing with her own internal struggles.
Critical Reception
The Bride Talks in Her Sleep was a modest romantic comedy of its era, generally well-received for its lightheartedness and the performances of its cast, particularly Joan Blondell. Critics noted its predictable but entertaining plot, offering a pleasant diversion for audiences.
What Reviewers Say
Praised for its charming comedic timing.
Joan Blondell's performance was a highlight.
A pleasant, if somewhat formulaic, romantic comedy.
Google audience: Audience reception information is not readily available for this early film.
Fun Fact
The film was adapted from the play 'The Bride Walks Out' by Bella and Samuel Spewack, though it deviates significantly in plot and character.
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