Manuelle Labor
Manuelle Labor

Movie spotlight

Manuelle Labor

2007
Movie
10 min
English

A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?

Insights

Director: Manuelle LaborGenres: Comedy, Short

Plot Summary

This short film follows a character named Manuelle Labor, who appears to be an artist or performer. The narrative seems to explore themes of identity and creation, possibly through a surreal or absurdist lens. It offers a brief, abstract glimpse into the character's world and artistic process.

Critical Reception

As a short film, 'Manuelle Labor' did not receive widespread critical reviews. Its reception is primarily within niche film festival circuits and among experimental film enthusiasts. Audience engagement is limited, making general critical reception difficult to summarize.

What Reviewers Say

  • Intriguing for its unconventional narrative structure.

  • Appreciated for its artistic and experimental approach.

  • May be too abstract for some viewers.

Google audience: Information regarding Google user reviews for 'Manuelle Labor' is not readily available, likely due to its limited distribution and niche audience.

Fun Fact

The film shares its title with its director, who also appears to be the primary subject or a central character within the film, blurring the lines between creator and creation.

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