The child of the square
An unemployed man (Kostas Chatzichristos), prone to endless amusements, economically sucks his uncle (Periklis Christoforidis) in order to satisfy his desires. His despair, when his uncle decides to stop the economic benefits, will lead him to sell some furniture of the house. He sells four armchairs and then he learns that in one of them were hidden precious jewels of the aunt. He looks desperately to find and to get them back, but he only discovers three of them, and in these there is no trace of jewelry. To find the fourth and lucky one, whose traces are completely ignored, he accepts partnered with a friend (Takis Christoforidis). He is transformed into an organized, consistent and good working man, and falls in love with his sister's partner (Stella Stratigou) and discovers that the fourth chair was held by his uncle, who set up this whole story to motivate him and make him active.
Insights
Plot Summary
Marcello Rubini, a gossip journalist in Rome, navigates the decadent and increasingly aimless lives of the city's elite. His search for meaning and genuine connection is constantly thwarted by his shallow relationships, fleeting encounters, and a society obsessed with superficial glamour. As he drifts through parties and scandals, Marcello grapples with his artistic aspirations and the emptiness of his existence.
Critical Reception
La Dolce Vita was a critical and commercial sensation, lauded for its ambitious scope, stunning visuals, and sharp social commentary. While some found its episodic structure and moral ambiguity challenging, the overwhelming consensus celebrated Fellini's unique cinematic vision and Mastroianni's captivating performance. It became a cultural touchstone, influencing fashion and cinema worldwide.
What Reviewers Say
- Praised for its groundbreaking visual style and exploration of modern ennui.
- Marcello Mastroianni's portrayal of Marcello Rubini is considered iconic.
- Fellini's critique of celebrity culture and societal decay is both profound and prescient.
Google audience: Audiences largely appreciate the film's artistic merit, stunning cinematography, and Fellini's distinctive directorial style. Many find the portrayal of Rome's high society fascinating, though some note its bleakness and length.
Awards & Accolades
Palme d'Or at the 1960 Cannes Film Festival; Academy Award for Best Costume Design (Black-and-White); nominated for three other Academy Awards.
Fun Fact
The iconic Trevi Fountain scene, where Anita Ekberg wades into the water, was filmed at night in early January, and the water was chilled to the point where Ekberg had to drink vodka to stay warm.
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