Come Clean

Buster Keaton plays a tramp who tries to reform and get a job, but his attempts are comically thwarted by his environment and his own clumsy nature. He attempts to work at a store, but his efforts to be helpful lead to escalating chaos. Ultimately, his quest for cleanliness and respectability ends in a flurry of slapstick and unintended destruction.

As a short film from 1931, 'Come Clean' is primarily appreciated for its historical value and as an example of Buster Keaton's early sound work. While not as iconic as his silent masterpieces, it showcases his enduring physical comedy talent and is generally viewed favorably by fans of the era.

• Showcases Buster Keaton's continued mastery of physical comedy in the sound era.
• A brief but entertaining example of early 1930s short film comedy.
• Offers a glimpse into Keaton's transition to sound films.

Google audience: Audience reception for 'Come Clean' is primarily from long-time fans of Buster Keaton, who appreciate seeing his iconic slapstick routines translated into sound. Many enjoy the short's pace and Keaton's unique comedic timing, even if it's not considered one of his peak achievements.

This short film marked Buster Keaton's first significant foray into sound films after his contract with MGM, which had seen a decline in his creative control.