Cyprienne oder Lassen wir uns scheiden!

In this German comedy, a successful and somewhat self-centered theater actress named Cyprienne finds herself in a predicament when her playwright husband, whom she believes to be away on a business trip, unexpectedly returns home. To cover up her own indiscretions and avoid a scandal, she devises a series of increasingly elaborate schemes, leading to chaotic and humorous situations. Her attempts to juggle her extramarital affairs and maintain the facade of a devoted wife become a madcap adventure.

This film was a lighthearted comedy typical of German cinema in the mid-1960s, aimed at providing entertainment with a focus on familiar stars. While not a critical darling, it was generally seen as an enjoyable diversion for audiences who appreciated its comedic performances and straightforward plot. It performed adequately at the box office, benefiting from the popularity of its lead actors.

• Praised for the charming performances of its lead actors, particularly Liselotte Pulver and Heinz Rühmann.

• Found to be a generally amusing and harmless comedy with a predictable but entertaining plot.

• Some critics noted the film's somewhat dated comedic style, even for its time.

Google audience: Audience reviews for this film are scarce, but its era and genre suggest it was appreciated for its lighthearted entertainment value and the star power of its cast, offering a pleasant escape without demanding too much of the viewer.

The film is an adaptation of the play 'Divorce à la carte' (or 'Divorce à la parisienne') by Victorien Sardou.