The Flavor of Green Tea Over Rice
The Flavor of Green Tea Over Rice

Movie spotlight

The Flavor of Green Tea Over Rice

1952
Movie
116 min
Japanese

The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.

Insights

IMDb7.6/10
Rotten Tomatoes93%
Director: Yasujirō OzuGenres: Comedy, Drama, Romance

Plot Summary

In post-war Tokyo, a wealthy but tradition-bound woman, Tokiko, is pressured by her family to take a second husband to appease her elder sister, Setsuko, who is married to Tokiko's much older husband, Mokichi. Tokiko, however, finds the entire situation absurd and refuses to divorce Mokichi. Meanwhile, Mokichi is pursued by a younger woman interested in his business acumen, further complicating the family dynamics. The film explores themes of tradition versus modernity, societal expectations, and the complexities of marital relationships.

Critical Reception

The Flavor of Green Tea Over Rice was met with critical acclaim, lauded for its subtle humor, nuanced character development, and Ozu's signature directorial style. It is considered a quintessential example of Ozu's explorations into family life and societal changes in post-war Japan, resonating with both critics and audiences for its insightful and gentle portrayal of human relationships.

What Reviewers Say

  • Praised for its gentle humor and subtle observations on modern Japanese society.

  • Ozu's masterful direction is evident in the nuanced performances and understated drama.

  • A poignant exploration of marital relationships and generational differences.

Google audience: While specific Google user ratings are not readily available, general audience reception aligns with critical praise, highlighting the film's charm, wit, and relatable depiction of family life.

Fun Fact

The film's title, 'The Flavor of Green Tea Over Rice' (Ochazuke no Aji), refers to a simple, comforting Japanese dish, symbolizing the domestic comfort and everyday life that Ozu often portrayed in his films.

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