Movie spotlight
Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
In a Cornish fishing village grappling with the decline of its traditional way of life, a conflict brews between local fishermen and a family who has bought up the coastal properties. The tensions escalate, revealing deep-seated resentments and a growing sense of desperation among the community members.
Bait garnered significant critical acclaim for its unique aesthetic and powerful portrayal of social and economic displacement. It was praised for its raw authenticity and its ability to capture the spirit of a community under threat, though some found its experimental style challenging.
Praised for its distinctive visual style and authentic portrayal of Cornish life.
Applauded for its poignant exploration of generational conflict and gentrification.
Noted for its raw, unflinching look at community struggles.
Google audience: Audience reviews often highlight the film's authentic depiction of rural life and the emotional weight of its story. Many appreciated the unique visual approach and the strong performances, finding it a compelling and thought-provoking experience.
Nominated for Best British Independent Film at the British Independent Film Awards.
The film was shot on 16mm black and white film and processed by hand, contributing to its distinctive, grainy aesthetic.
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"Martin" (a competent Edward Rowe) is struggling to come to terms with changes in his tiny fishing village that have left him a bit adrift. His brother has decided that more cash can be made if they use their late father's boat for tourist ...