bihubh fi baghdad
bihubh fi baghdad

bihubh fi baghdad

1942Movie120 minArabic

Al-Usta (Bahbah), the barber, lives in the city of Baghdad, and one of his customers, Sheikh (Makhlouf), tells him: Shahbandar al-Tajjar said that he had a son who was constantly ill, named (Qamar al-Din). He suggests that he get him a slave girl, perhaps she will bring joy and happiness to his heart. Indeed, his father buys a slave girl named Baddour. She discovers that the cause of his illness is his love for (Shams), the daughter of the judge, so Badour suggests that he convince his father to guide her to the judge so that she can be the messenger of love between (Qamar) and (Shams), and Bahbah helps her in that. He knows the judge. By order, he imprisons them all and they try to escape.

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Insights

Director: Youssef WahbyGenres: Drama

Plot Summary

This drama follows the story of a dedicated soldier and his wife as they navigate the challenges and sacrifices inherent in military life. The narrative delves into the emotional toll of long separations and the unwavering support a spouse provides during times of conflict and personal hardship. It highlights themes of loyalty, resilience, and the complexities of maintaining a relationship amidst external pressures.

Critical Reception

As an early Egyptian film, 'Wife of a Soldier' (also known by its Arabic title 'Zouga Lel-Gondi' or 'Bihubh fi Baghdad') was a significant production for its time, exploring relatable domestic struggles within a societal context. While specific contemporary critical reviews are scarce, it is recognized for its dramatic performances and its contribution to the developing Egyptian cinema landscape.

What Reviewers Say

  • Praised for its emotional depth and compelling performances, particularly from its lead actors.
  • Examined the sacrifices and challenges faced by families during times of conflict.
  • Considered an important early work in Egyptian cinema.

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Fun Fact

The film's director, Youssef Wahby, was a prominent figure in Egyptian theater and cinema, often referred to as the 'father of Egyptian theater' and 'the Shakespeare of the Egyptian stage'.

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